{"id":3596,"date":"2017-01-12T18:57:29","date_gmt":"2017-01-12T18:57:29","guid":{"rendered":"http:\/\/williamlonsdale.co.uk\/?page_id=3596"},"modified":"2026-02-25T11:08:25","modified_gmt":"2026-02-25T11:08:25","slug":"about","status":"publish","type":"page","link":"https:\/\/williamlonsdale.co.uk\/index.php\/about\/","title":{"rendered":"About"},"content":{"rendered":"
William in his studio – 2012<\/figcaption><\/figure>\n

William Lonsdale is an artist with well over 80 years of creative expression behind him. His style and skills cannot be neatly pigeon-holed as they have developed, changed and matured along with his exposure to the environments and societies in which he has lived and worked.<\/span><\/p>\n

The one continuing theme that defines him is his enthusiasm, focus and desire to translate the people, places and experiences he has seen and known into artistically recorded versions that will immortalise them in paint, pencil, pen, pastel, clay, calligraphy and sculpture.<\/span><\/p>\n

\"paint
Oil Palette used over many years<\/figcaption><\/figure>\n

He can turn his hand to oil, watercolour, gouache, pencil: subjects ranging from portrait to landscape, horseracing to industrial scenes, real to imaginary, draughtsmanship to abstract, and always with outstanding skill in use of techniques of perspective, tone and colour.<\/span><\/p>\n

Indeed his skills in such a variety of areas led him to become an outstanding teacher of his art and crafts; which left many, many of his students with lasting memories of his dedication and ability to inspire.<\/span><\/p>\n

Exhibiting his work over the years has earned him admiration and recognition from a large number of appreciative art-lovers and critics. His continued desire to capture scenes from both the present and from the industrial landscape of his past propelled him to work nearly every day \u2013 up until his late eighties. This enthusiasm shines out from all his work.<\/span><\/p>\n

\n

EDUCATION<\/span><\/p>\n

William – 1965<\/figcaption><\/figure>\n

William Lonsdale was born in Nelson, Lancashire in 1934. As a child he and his family lived through the shared experiences of war-time hardships that could have prevented someone with less dedication from following such a creative path. He showed an unusual interest and talent for drawing at a very young age, leading to his attendance at Saturday morning art classes from the age of 12, post-war in 1946, and evening \u201cLife\u201d drawing and painting classes at Nelson & Colne College from the age of 14.<\/span><\/p>\n

His enthusiasm and ability determined his career path and he attended Nelson School of Art (part of at Nelson & Colne College) full time from 1949 -1951. In 1951 he passed the Ministry of Education Intermediate Examination in Arts & Crafts.<\/span><\/p>\n

\"At
At the easel – 1965<\/figcaption><\/figure>\n

Leaving his mill town home in 1951 to take up a place at Lancaster & Morecambe College of Arts & Crafts , in 1953 he passed the Ministry of Education National Diploma in Design: Illustration<\/em>, at Special Level. He remained at Lancaster & Morecambe College to prepare and submit a folder of work as an application to attend the Royal College of Art. During this time in 1954 he gained an additional NDD: Lithography<\/em> at Main Level.<\/span><\/p>\n

The entry examination and interview at the Royal College of Art took place over 3 days.<\/span><\/p>\n

The examination entailed one day spent on a given subject, \u201cThe Battle\u201d, and a day of life drawing from the nude. The final day included an interview with a dozen or so of the Lecturers on staff and in attendance, and a review of his portfolio. Staff in the interview included: Julian Trevelyan, Edward Bawden, Ruskin Spear, Alastair Grant, John Nash, Edward Ardizzone and was principally conducted by Professor Guyatt, Head of Department of Graphic Design at the time.<\/span><\/p>\n

William was successful throughout this process and in 1954 he was awarded a scholarship by the County of Lancashire to attend the Royal College of Art for 3 years.<\/span><\/p>\n

The Royal College of Art required students to complete National Service for 2 years before commencing the 3 year post-graduate course. This was an interruption that meant it was September 1956 before he could commence the scholarship course at the Royal College of Art.<\/span><\/p>\n

The break for National Service brought about some difficulties for him in settling down to college life after this prolonged absence. He decided to leave after a year and pursue a career in teaching Art, having also designed a range of toys for Chad Valley and worked on some freelance lettering and calligraphic commissions.<\/span><\/p>\n

\n

WORKING LIFE<\/span><\/p>\n

\"William
William Painting in the late 1990s<\/figcaption><\/figure>\n
\"\"
William with his wife Beryl<\/figcaption><\/figure>\n

By this time married to his wife, Beryl, he moved back to Nelson in August 1957 to begin his very successful teaching career at Colne Grammar School. Over a period of 27 years he held several teaching roles in the UK and in Germany, at Queen\u2019s School, Rheindahlen, HQ of BAOR.<\/span><\/p>\n

From Aug 1971 \u2013 Aug 1981 William was Head of Art at Burnley Grammar School for Boys , which became a mixed comprehensive in 1981, Habergham High School, and he was appointed Head of Art for this new school.<\/span><\/p>\n

1984 William took early retirement from teaching and worked for the Civil Service at the DHSS Archives in Nelson for a few years following this. During this latter period he taught evening classes in Calligraphy and Lettering, and Creative Painting & Design for a couple of years. Lettering is a feature of his work.<\/span><\/p>\n

William is one of those rare artists who has been driven to create almost every day of his life, yet has had the opportunity and desire to pass on his knowledge and techniques through the teaching of others. This is one of the most rewarding and important attributes an artist can ever develop, and which has a long tradition within the schools of the old masters. His dedication and disciplined approach to his life’s work has rewarded him with the gift of inspiring others including many of his own family, and rewarded us with this huge body of work to admire.<\/span><\/p>\n

\"\"<\/p>\n

The Daily Telegraph & Morning Post Northern Edition – August 1963 Review by F.W. Fenton. There was a change of plans and William did not take up the teaching post in Malta.<\/p>\n

\n

EXHIBITIONS<\/span><\/p>\n\t\t\t

\n\n\t\t\t\n
\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
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\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tMay 2, 2012\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

County Galleries, Altrincham 2012 – 2016<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tApril 8, 2004\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Wensley Gallery, Ramsbottom – 5 Year exhibition<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tAugust 14, 1985\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Manchester Evening News Display Centre \u2013 2 works NFS<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tApril 10, 1985\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Grundy – Blackpool<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tOctober 10, 1984\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Haworth Art Gallery, Accrington<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibiton\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJuly 18, 1984\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Haworth Art Gallery, Accrington<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJune 5, 1984\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Accrington Planning Centre<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibiton\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tFebruary 9, 1983\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Harris Art Gallery, Preston<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibiton\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tMay 4, 1982\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Grundy, Blackpool \u2013 \u201cNorth West People and Places\u201d<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tSeptember 4, 1979\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Mercury, London \u2013 mixed Summer show<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJune 6, 1979\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Crane Arts, London<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tMay 6, 1975\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

J Davey & Sons, Bridge Street, Manchester<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
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\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tApril 8, 1975\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Salford City Art Gallery<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
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\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJanuary 9, 1975\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Various libraries – Nelson & Colne, Lancashire<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
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\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tAugust 6, 1974\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Mid-Pennine Gallery, Burnley and Blackburn<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJune 14, 1970\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Officers Club – Rheindahlen, West Germany<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJuly 13, 1964\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Various libraries – Donnington & Wellington, Shropshire<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tOne-Man Show\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tAugust 5, 1963\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Avgarde Gallery – Manchester<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJuly 11, 1962\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

J Davey & Sons, Bridge Street, Manchester<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tMarch 12, 1961\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The Bradford City Art Gallery \u2013 Annual Exhibition of Contemporary Art (put on by the director P. Bird who went on to the Arts Council later) 1961-1963<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJune 12, 1957\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

Gibbs Bookshop, Mosley Street Manchester<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n

\n\n\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div> \n\n\t\n\t\n\t
\n\n\t\t\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t

\n\t\t\t\tMixed Exhibition\t\t\t<\/h2>\n\n\t\t\t\t\t\t\t

\n\t\t\t\t\tJanuary 28, 1955\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\n\n\t\t\n\t\t\n\t\t

\n\t\t\t

The City Art Gallery, Manchester \u2013 \u201cArtists with Northern Associations\u201d<\/p>\n\t\t<\/div>\n\t\t\n\n\t\t\n\t<\/div>\n\t\n\n<\/div>\n\n\n\t\t\t<\/section>\n\n\t\t\t\n","protected":false},"excerpt":{"rendered":"

William Lonsdale is an artist with well over 80 years of creative expression behind him. His style and skills cannot be neatly pigeon-holed as they have developed, changed and matured along with his exposure to the environments and societies in which he has lived and worked. The one continuing theme<\/p>\n","protected":false},"author":1,"featured_media":4396,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/3596"}],"collection":[{"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=3596"}],"version-history":[{"count":32,"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/3596\/revisions"}],"predecessor-version":[{"id":4438,"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/3596\/revisions\/4438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/media\/4396"}],"wp:attachment":[{"href":"https:\/\/williamlonsdale.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=3596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}